Showing posts with label pedagogy. Show all posts
Showing posts with label pedagogy. Show all posts

5.25.2012

adolescents and literacies - a few headlines to ponder

Headlines that caught my eye this week, which, because of other looming deadlines, will remain on the back burner... for now.

And a project that has me scratching my head, pulling out my beat up copy (no pun intended) of Discipline and Punish, and just feeling a bit uneasy all around: What does the geography of incarceration in the United States look like? - @joshbegley via @jamilahking


Just because I haven't had time to further ruminate and comment, doesn't mean you can't enjoy some food for thought.


5.06.2012

Being present as youth musicians come "into presence"

"Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain boredom), unsettles the reader’s historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language."
—  Roland Barthes, The Pleasure of the Text, trans. Richard Miller


I saw the orange of his plaid shirt and the shine on his trombone before I saw the young man who wore both as extensions of his being, as he made his way to his awaiting family through the narrow passageway between the auditorium seating and the doors leading to the outdoor courtyard. A woman standing beside me against the wall between two open doors exclaimed words of congratulations to the boy, noting that the afternoon’s orchestral performance was “wonderful,” and “great!” The boy’s face showed a serious expression. “I only had to sight read the first piece.” He repeated himself and then explained with conviction, “I knew the rest, I just had to sight read the first piece.” The woman next to me beamed with a measured yet joyous pride as she told me of her grandson’s multiple musical accomplishments, that in addition to playing the trombone and the violin, he was more than adept at the drums, which he started playing at the age of five. The young man was just ten, and the roundness of face matched his age even as his maturing body belied his status as a musician still in elementary school. “They had him tested when he was five,” the grandmother continued, “and they told us he played [the drums] better than most twelve-year-olds. And now he wants to learn the piano.” I had barely finished uttering my “Wow” before she added two thoughts that made me wish I could stay and talk with her more extensively. First, she noted that music was in his blood, an influence of his grandmother. Then she smiled. It was a shy smile that she followed up by proudly stating that she was a graduate of Settlement Music School, a singer, who had been a member of a professional singing group. She paused momentarily – I suspected that it had less to do with allowing me to digest all of these fantastically intricate pieces of information that begged for follow-up, and everything to do with taking a moment to revel in that memory before continuing to regale me with tales of grandmotherly adoration – and when she continued she said, with a sort of excited urgency, that she, who had come from Delaware to see him perform, was encouraging him to “learn all the instruments!” Learn as many as he could, was her advice to her young, talented, earnest grandson. And within seconds they – the young man in his pumpkin orange shirt and his grandmother who was the picture of spring in deep purple – were in the slow but steadily moving line of humanity edging toward the stairs that led to the courtyard reception below.

This was a mere glimpse into the many stories in the lives of one young musician who was among the nearly three hundred who performed as part of the 2012 El Sistema Seminario concert held at West Catholic High School yesterday. Present were members from eight different youth orchestras from as near as Philadelphia’s own Play On, Philly! and as far away as Durham, NC and Newport News, VA, all of whom shared the ethos of the El Sistema global youth music movement. As I walked out, my mind filled with questions I might have asked and wish I could have asked the musicians, the parents, and other family members, the passers-by who happened to attend. I was struck by the way the young musicians worked and played together, the mutual allegiance youth and adults seemed to have for one another, and observations and thoughts about the silly debate that goes on in education policy about “the arts” – clearly anyone who marginalizes art-making and art-being has never attended a youth orchestra! But first, let’s go back to the beginning.

It was 4:54 pm when I arrived at the high school where I’d never been before despite spending many years living and later working with youth in the same neighborhood. Across the street is a mural of Paul Robeson and the side entry where a woman dressed in black from head to toe was handing out programs was lined with murals whose once vibrant colors had faded over time. Art was everywhere, for anyone who cared to notice.





Ascending the outdoor metal stairs to the auditorium level, I heard familiar sounds that increased in volume with each step and were fully amplified as I walked in and found an empty aisle seat a few rows from the front. The stage was overflowing with young people clutching their violins, waving bows in the air, responding with waves and smiles in the direction of family members who were doing the same as they desperately tried to get their child's attention from various vantage points inside the large room. In the audience, families quieted younger children and some searched for, then photographed names they recognized in the program. Near the stage, adults, all of whom were also dressed casually like the youth – most wearing jeans, that universal garment that has come to function as both uniform and talisman of ease in a bevy of uncertain social situations – attended to what looked like last minute requests and preparations. In one corner, a group of young women was singing softly and swaying smilingly; behind them two young men stood at the ready behind basses that towered over them; and from one corner of the large room to another, waves of shushing continued – it wasn’t altogether clear who was doing the shushing and who was being shushed.

And then suddenly a voice cut through the ambient chattering and shushing instructing everyone to be quiet so that the concert could begin. The room fell as silent as a room full of people sitting together in a slightly warm auditorium with overhead fans doing their best to cool the room could. Stanford Thompson (@stanfordleon), the director and founder of Play On, Philly! (@playonphilly) took the microphone and, after offering a note of thanks to a woman named Ms. Naomi who had quieted us down, provided a few words of introduction before turning to the eager faces in front of him. He told the audience, made up people of all ages who seemed to have some tie to what felt every bit like a human movement, that there were nearly three hundred students on stage, that people had traveled near and far to be here, and that what we would hear during the “short concert” were pieces that the large group had been practicing as individual groups and more recently as a massive, whole orchestra. He then thanked the parents and teachers who enabled this concert to happen. Loud applause. To introduce the first piece, Thompson, also wearing jeans and a tan, lightly striped tee shirt, simply described it as a “collection of songs you’ll all know.” He then turned to the expectant orchestra and said “Spiritual Melody” before handing the mic to someone and standing on top of wooden chair so that he could be seen by the whole group.

Thompson energetically signaled for the group to start and the first notes came streaming out – strings, woodwinds, and possibly the tingling cling of the triangle, which had a starring role throughout the concert. Even as I should have known the first piece, recognition eluded me so I just enjoyed watching the performers, only about a third of whom were playing at first. Others looked on, predictably waiting for their turn to join the composition in progress. The orchestra easily transitioned into the second selection, a rendition of “Ava Maria,” and I think the pair of women sitting behind me as well as a few others in seats several rows to my right were singing along. The little boy next to me looked at the women behind us, then looked at me and we both smiled. Now this was a concert.

It was during the third selection when I noticed the violinist who played the music with her whole body. With each measure, she bloomed with musical energy that matched the vibrancy of her fuchsia top and matching flower hairpin.  She bent from side to side, swaying as she applied vibrato to coax a few more decibels from her violin strings. In between numbers, her horn-rimmed glasses remained fixed on the music stand in front of her that she shared with a bespectacled fellow musician whose muted, pastel striped shirt belied the animated personality that was on display after the concert. The selection of spiritual songs ended as more applause erupted from the grinning and altogether charmed audience. It was then that I noticed the cameras blanketing the aisles, held in varying lengths from people’s faces and serving as filters through which many of my fellow music lovers – at least for the afternoon that’s what they were – were receiving the music.

The second piece was conducted by Rey Ramirez from the Soundscapes orchestra program in Newport News, VA, who will be the hosts for next year’s concert extravaganza. He led the group in a performance of Louis Armstrong’s “What a Wonderful World.” It is fair to say that feeding off the energy of engaged young people already puts me in a truly blissful mood, but when a subset of the orchestra broke out into song and married the lyrics with the instrumentals, I fought hard to keep the bliss from pouring out of my eyes. The players-turned-singers were led by a woman wearing a sleeveless, black dress and was the owner of sculpted upper arms who, like Thompson earlier and Ramirez, who also stood on the wooden chair beside her, conducted with exuberance. The boys and the girls sang with earnest, a few closed their eyes when they were trying to hit a high note or hold a long note, and still others smiled with a combination of shyness and pride. And I’d be lying if I didn’t admit that I, too, sang along for a few bars.


Before the third and final piece started, Thompson introduced yet another conductor, Dan Trahey who leads the Tuned In orchestra in Baltimore. Trahey started off with some shoutouts to the various cities represented in the orchestra and in the seats as audience members gleefully obliged by cheering when their city was called including New York, Philadelphia, and Baltimore. He then offered a few more words about the mission of this collaborative effort to increase access to music and to “get music into kids’ lives.” This work, he noted, was motivated by a desire to “change kids’ lives and society through music” noting that present in the multi-orchestra group in front of us were young people from “different races, different genders” – suggestive of a microcosm of the nation and world, more broadly. This last observation elicited not only cheers and applause, but a few Arsenio-type rolling fist pumps in the air.

The last piece, Finlandia, had a thunderous beginning that heavily featured the percussionists, and it was while paying attention closely to the way the beginning unfolded that I noticed the various ways in which adults were peppered throughout the orchestra: as musicians, as page turners and enthusiastic cheering squads. In this piece, too, as the music fell almost completely quiet except for a solo (an oboe, perhaps? My ear is a bit off, so pardon the uncertainty here!), the singing began. While holding their instruments, some looking directly ahead, others looking at each other, and still others making eye contact with loved ones, the musicians became singers once more and delivered lyrics of peace, of hopes and dreams. They were what they sang. And we the audience, appropriately moved, leapt to our feet as the last note evaporated into the air. More fist pumps, more cheers, a parade of cameras (including the man in the front recording the performance with his iPad) and applause.


The adults, the youth, the families and supportive audience members – they were all players in this performance, each one somehow committed to the success of this afternoon, wherein success was neither tested nor measured but plainly observed, felt, and celebrated. The violinist in fuchsia, the trombone player in orange, and the bass player with the black pants and matching vest – each of these young people and their many fellow youth orchestra members are part of a beautiful story that is being written through music. Not all of them will become musicians, but they each, at least for a short time, will have had music in their lives in a most intimate way. And yesterday afternoon, through music, they brought joy into the lives of a few hundred others.

I write these words from a vantage point of an educator and researcher of young people’s lives, their literate practices, and their creative endeavors. And being in the presence of these young musicians this weekend and last weekend has brought the ever-present education angst into sharper focus. The rhetoric surrounding schooling seems to move ever further and further away from education. The discourse has become – or rather continues to be – saturated with band-aid “solutions” about how to “fix” a system that is presupposed to be a complex if/then statement premised up readymade packets of information and methods of digestion and evaluation. But the more I read -- academic and popular publications, alike -- the less I see any sense of purpose in how school is being understood. That is, there seems to be no imagination or consideration about how to escape a pre-ordained sense of what schooling should be and thus an inability to move beyond “doing school” as the “simple insertion of the human individual into a preexisting order.” And I can’t help but think of the theme song from “Kids are people, too.” It’s really as simple as that – kids are not less than people. They are people. Period.

In spaces, like Play on, Philly! and the other El Sistema-inspired youth orchestras, where young people are taken seriously and invited in to explore oeuvres and create their own – artistic and otherwise – there appears to be education occurring wherein education might be seen as a “focus on the ways in which the new beginning of each and every individual can come ‘into presence.’” Gert Biesta, from whose book Beyond learning: Democratic education for a human feature, argues for an education that nurtures every-one's coming into presence and, one might argue, an education that is nourished by pedagogical trust. In doing so, he implicitly honors and extends the words from Hannah Arendt that are included as an epigraph to his book:
“Education is the point at which we decide whether we love the world enough to assume responsibility for it, and by the same token save it from that ruin which except for renewal, except for the coming of the new and the young, would be inevitable. And education, too, is where we decide whether we love our children enough not to expel them from our world and leave them to their own devices, nor to strike from their hands their chance of undertaking something new, something unforeseen by us, but to prepare them in advance for the task of renewing a common world.” 
To notice and to be seen, to listen and to be heard, to be expected to work hard (not simply because others have done so or because that is what one is supposed to do, but because each individual contributes to the larger whole), to come into presence – a system seems too large of a unit of analysis at times, so for the time being I will seek out smaller spaces that allow young people to pursue these goals that may allow each of them and each of their stories to “come into presence” in whatever way seems right, and seek bliss in the process.. To wit, Ammons’ poem seems an apt place to pause for now:


Poetics, by A.R. Ammons


I look for the way
things will turn
out spiraling from a center,
the shape
things will take to come forth in


so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:


I look for the forms
things want to come as


from what black wells of possibility,
how a thing will
unfold:


not the shape on paper -- though
that, too -- but the
uninterfering means on paper:


not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.




10.24.2011

small fate of "illiteracy" looms large


The word “illiteracy” gives me pause.
No, that’s not quite right.

When I hear or read the word “illiteracy” I stop cold.
Closer.

The word “illiteracy” inflicts in me a sensation of violent nausea wherein my brow remains furrowed for several minutes and I incur the wrath of the involuntary teeth-mashing that starts in the face of acts of egregious inhumanity. It is a wonder that reading words about others’ horrid behaviors can induce this reaction, even more so, in my experience, than other modes of expression. See for instance these recent tweets by Teju Cole, author of Open City and a book review recently published in the New York Times about Andre Aciman’s new book, Alibis: Essays on Elsewhere.  [An aside before you delve into the small fates that Cole composes on Twitter: it is difficult to accept the recent claims by Noam Chomsky about the “shallow” nature of this medium after reading tweets written by a writer whose words, about the worlds he sees and discovers as well as those he brings together to let readers into the worlds of many others – including that of Aciman’s and the citizens of Lagos – with respect, irony, and a haunting beauty that moves his readers to write back, to interact, to engage, and to wonder aloud.]

Nsofor, 57, head of the vigilantes in Nwangele, entered a girl of four.

In Justice Yahaya's courtroom in Kano, Hamza got 24 months for child rape, and Sani got 30 for marijuana possession.

Déjà vu. At Mediterranean Park in Abuja, words failed Sunday Nzeh, so he stuck a pen in Sarah Odere’s eye.

If it’s not one thing, it’s your mother. With petrol and matches, Akinkuotu, of Ondo, orphaned himself.

In 140 characters or less, Cole’s distillations of news from Lagos newspapers deliver a punch (to the gut, to the psyche, to the soul), even more potent, perhaps, than the fuller length accounts of the always human and often inhumane acts he chooses to remix. His are words about actions that may go unheard or overlooked, in part simply by virtue of their geographical distance from our daily lives and partially because of the metaphorical and metaphysical walls we build in our attempts to hyper-focus on our immediate and proximal realities. In giving those realities of distanced others a wider and varied audience, Cole brings their happenings, both familiar and strange, through our phones and laptops into our conscious minds; often these remixes, that serve as poignant social commentary on that which might otherwise be accepted as “normal” behaviors and acceptable social practices, demand our attention precisely because of their abhorrence.

But while such visceral reactions, such as the one described above, may be understandable in light of the small fates about which Cole writes, one might wonder why and how the concept of “illiteracy” evokes the same. For context, I turn to a recently published column in the local news website, Philly.com, written by Inquirer columnist Karen Heller titled, “Illiteracy,the scourge of Philadelphia.” In it she correlates “illiteracy” with poverty – and in so doing, borders on accusations of causation – and proceeds to accomplish what she likely set out to do: disrupt social malaise long enough to evoke discomfiture in readers who may otherwise place themselves at a far remove from the realities she asserts.  Presumably, the logic might go, if we taught more kids to decode print in a timely fashion, socioeconomic disparity would be grossly alleviated, if not eliminated altogether. This is not an indictment of Heller; she is writing in the socially acceptable language of literacy that, despite more than ample evidence to the contrary, remains squarely framed as “reading at an eighth-grade level and possessing basic math and computer skills, abilities that more than half a million residents are missing.”  We – that is, researchers, educators, writers in and of multiple media – still have far to go, it seems, before we are able to effectively disrupt the social imaginary on matters related to literacy and language practices.

The distaste, the sheer disdain I have for the word “illiteracy” lies in assumptions that the word carries about all who are unfortunate enough to be viewed through its veil. Although Heller relies on quotes from Judith Rényi and Lisa Schorr, both of whom have been appointed to educational roles within the administration of the city of Philadelphia, her column underscores the wide reach of the topic of literacy as it becomes ensnared with other social ills such as unemployment and incarceration. Heller writes:
"Uncorrected, a lack of literacy remains a lifelong disability. "A person walking around illiterate at 35 is going to be illiterate 50 years from now," Rényi says. That 50 years translates into low-level or no employment, an ongoing dependence on social services, or worse. Most of Philadelphia's prison population reads below the fourth-grade level, demonstrating few resources for legal employment."
Her column, like the writing of other columnists and journalists who will continue to, as they have in the past, inform the collective mind of the populous, carries weight. Perhaps one column of 500 words may not change anything, but a few hundred words here, an evening news story there, a blog post that captures the attention of a political machine eager for an educational soundbyte – an especially dangerous possibility as we enter the next presidential election cycle – and suddenly we may find ourselves on the precipice of another No Child Left Behind. Teachers' hands and tongues become tied when, as a nation, we are prone to follow and vote for a catchy slogan over what may be jarring prose. Words matter.

Children and adults walk into classrooms prepared to learn and too often they are castigated for what they lack; so all-consuming must be this practice of judgment and evaluation that it is a wonder any learning happens at all in schools and other institutions of purported learning. In seeking to teach, educators are steered away from the education already thriving in the lives of their students. If we change nothing else – that is, if we continue to strive for print proficiency in children and all adults, adhere to common content and communicative standards, while navigating the tricky waters of an increasingly inexplicable testing culture (clearly hell-bent on ensuring its own existence above all else) – but remove “illiteracy” from our vocabularies of categorization, then we will have made a significant change. To view someone as “illiterate” is not merely a neutral or socio-demographic designation. It is an act of dehumanization. 

Words matter. The word “illiteracy” matters. And insofar as “illiteracy” will continue to inflict educational and psychic damage – and keep the proverbial wheels squarely situated in slippery mud – a simple shift toward literacies can provide openings for understanding the literate lives and the meaning-full existences of students, older and newer, toward new starting points that are more likely to yield "outcomes" that the warriors against "illiteracy" claim to desire.

Perhaps this is better expressed as a small fate:

Angel told stories to anyone who listened. His teachers insisted they couldn’t teach him or hear his words unless they were written down.

9.19.2011

exciting new special issues

1. this friday, a special issue of the Journal of Negro Education will be launched with the following theme: Preparing Teachers to Teach Black Students; Preparing Black Students to Become Teachers

the volume is guest co-edited by my friend and colleague yolanda sealey-ruiz (along with chance lewis) and includes a wide array of articles that take up questions related to the teaching and learning lives of black students across contexts, their education narratives, and possible education futures.

2. the recently published special issue of English Teaching: Practice and Critique on: Literacy(ies) and the Body  guest edited by another friend and colleague Stephanie Jones (along with Kerryn Dixon and James Albright)

articles include an exploration of embodied literacies, how bodies are read and what that has to do with education, and a piece on performing critical literacy (written by the very thoughtful and exceptionally observant elisabeth johnson)

3. another special issue bringing an exploration of bodies together with geographies is found in the journal Emotion, Space and Society titled: Emotional Geographies of Education -- edited by jane kenway and deborah youdell (whose work i continue to be enamored of and blown away by)

these articles draw on theories and metaphors of geographies and spaces to bring forth new sites of teaching and learning, under-appreciated or less visible contours of how we live and experience education.

3.23.2011

being in tune with oneself

as i began this post several days ago, i only had a sense of where the story would go. i have an image in my mind of a young man looking at me with incredulity as i was hanging out in the afterschool program where my research team and i spend a few afternoons a week facilitating an arts and digital literacies project.  on a recent tuesday, we were continuing some work with collages that we had begun the week before. collaging is one in a long line of expressive practices that we have been incorporating into this series of workshops, that has included designing movie posters, camera work, reading and scripting lines of a play, among other practices. i first met the boy who i'm thinking of -- i'll call him derek -- a few weeks back. when i was introduced to him as a professor by a graduate students, who is also part of the team, derek immediately referred to me as "the OG." i liked him instantly :)  he wondered aloud what my relationship was, in terms of power and authority, to eric, who he referred to the man in charge. admittedly, eric does appear wise beyond his years and is a founding member of this project, but we both laughed at derek's characterization of his presumed age as he is almost the youngest member of our team.

but i digress... last week, as i walked into the program, derek announced my entrance by noting that "triple OG is here." (when eric entered a short while later, derek noted, "here comes double OG.") in addition to reminding me so much of one of the boys who was a part of my dissertation project group -- cyrus -- derek's countenance, wickedly shy smile that breaks into a grin, surprise when i call him by his name (and that i know his name at all) -- all of these little glimpses suggest some of the many layers that comprise the life of this one young man.

last tuesday, we were discussing events around the world -- and reminding ourselves to remember that the world is both local and global (and all the lovely bits in between) -- with the help of photographs depicting images of the devastation following the earthquake in japan, somali refugees in tunisia, citizen soldiers taking arms in libya... derek, who was sitting next to me, launched his body nearly out of his chair on more than 4 or 5 separate occasions. he was still very much engaged and participating, as his writing and conversational contributions from that day reflect, but he needed or took moments to swing himself away. i described this interaction in an email to a friend this way:
"I think... of this week's discussion with some young people whose great desire to be heard was palpable; a hand laid gently on a shoulder was all it took to invite a young man to join our discussion. This in contrast to a similar moment in classroom where delayed participation may be read, in a moment, as disengagement, and the weight of many previous moments of impatient judgments flash like a halo of garish neon signs."
in sharing this moment, i was recalling the suggestion made by jay lemke who notes that "moments add up to lives," and wondering about the many moments that adolescents experience in schools that rush by without attention, and yet build up with the residue of false or lowered expectations, disappointments, sacrificing relationships for content coverage, reinforced messages that kids must fit schools and decidedly not the other way around.

while i was thinking about all of this, and wondering how derek's sense of self - his very personhood - might be supported, i received an email from my friend e, whose beloved piano had just been seen by a tuner after a very long time. because of age (close to a 100 yo) among other reasons, the piano, e wrote, might only ever "be in tune with itself" and not, as it were, perfectly tuned. her email and the turn of phrase made me think instantly of derek. and cyrus. and ed. and travis. and brite. and christian. and eric. and myself. all were adolescents at some point, either now or in the past, who may not have been seen for who they are, only for what and who they are not.

to be in tune with oneself -- a formidable task in it own right! how often do we hear adults striving for a sense of balance and harmony, and yet why do we eschew these same qualities in young people who have not conformed to norms of behavior, practice, action, performance, engagement? the pursuit of being in tune with oneself may be where human flourishing comes alive and perhaps lies in direct contrast to an insistence on developmental markers of identity, progress -- redolent of what varenne and mcdermott artfully illustrate in successful failure about the social construction of labels that emerge out of judgment of a child's lack of being in tune with others, even while she may be perfectly in tune with herself... capable of playing, in key, with those around her.

7.13.2010

adolescent literacy - moving beyond rhetoric that maligns. a call for new starting points.

before i begin, the punchline: wanting adolescents to be proficient readers and writers of print-based texts is not wrong; the assumptions on which this desire is based, however, are steeped in deficit interpretations of the literacy practices in which adolescents are already engaged.  we need new starting points.

***

recently, a conference about content area literacy focused on adolescents was held at teachers college.  you can read more about the conference on the tc website here.  but the last paragraph is what caught my attention:
While the U.S. led the world for many years in educational attainment and job skills, “so many other countries are doing so much better now,” [Andres] Henriquez [of the Carnegie Corporation] said, including China and countries in Eastern Europe. And while the U.S. was the first to provide universal secondary education and also perennially led the world in educational attainment, it now ranks thirteenth in the latter category. National 8th-grade reading scores haven’t budged in decades. “If you were a doctor, you’d say, ‘this patient’s dead. There’s not a heartbeat.’ ”
so the literacies of adolescents effectively render the educational system a dead patient?  i worry about this rhetoric because in the spirit of seeking ways to support the print proficiency of adolescents, advocates of "adolescent literacy instruction" simultaneously malign the diverse literate landscapes of adolescents and frame adolescents as persistently in need of remediation.  this may not be their intention, but when adolescents are already under scrutiny for so many facets of their being such rhetoric only serves to place and keep adolescent identities and practices at a far remove from those ways of being that are institutionally sanctioned.

in this case, words matter because they help to constitute a reality that will travel across contexts and be parsed for sound bytes.  how does one reconcile this deficit starting point in light of the sheer abundance of research - in the areas of literacies, multimodality, communication, media studies, technology and education - that paints vastly different pictures.  the prevailing discourse of this conference, as reported in the article, was that adolescents need texts that better resonate with their lives and experiences.  but the mere inclusion of interest-related texts - read: print-based artifacts - along a variety of content categories and that reflect multiple realities is not enough.  let me emphasize that such a move is certainly significant as adolescents begin to connect with the texts of schools in new and meaningful ways.  but we cannot stop there because when we dismiss some practices of adolescents as "non-school" we effectively suppress the possibility of some adolescents' very relationship to formalized education.

our definitions and expectations of composing, communication, meaning, and interpretation must change, not merely to respond to calls for action from literacy researchers, but because educational institutions, such as schools, should be responsive to the practices of children and youth.  to simply include a wider array of texts still presupposed a print-centric set of beliefs about how one can acquire and represent information; to do so renders invisible other ways of knowing, even as a recently re-surfaced article from the chronicle of higher education lists "public support for other ways of knowing" as one of the five trends that will radically transform public education by 2015.  will the united states' penchant to wax nostalgic about the "good ol' days" be its undoing?

i recognize that to rethink practices of literacy assessment and pedagogy may challenge long held beliefs about literacy, language, schooling, and even education; perhaps it is time to not only talk about rethinking these practices, but to actually change them.  so, i note once again the punchline that started this post: wanting adolescents to be proficient readers and writers of print-based texts is not wrong; the assumptions on which this desire is based, however, are steeped in deficit interpretations of the literacy practices in which adolescents are already engaged.  we need new starting points.

6.13.2010

fighting writer's block - bringing back the aesthetic

some time in graduate school, i purchased this book: The Writer's Block: 786 Ideas to Jump-Start Your Imagination.  the 2-d image to the left doesn't fully capture the block-like structure of this book.  it was a 3"x3"x3" cube - a block of ideas intended to jump start the creative juices.  when i was a kid, an adolescent, a youth, i was never at a loss of things to imagine or write.  my blocks always came in the form of how to take what was "up there" (pointing my to head) and get it to look right "over there" (gesturing to where a piece of paper might be on the table in front of me).  was this an easier issue to solve than the kid who is at a loss for what to imagine?  this, of course, is a false question because it presumes that there are some kids without a thought in their heads.  this simply isn't true.  take a minute to observe, without judgment about what isn't happening, what a kid in the park, subway, apple store, cafe, sidewalk... is really doing.  before kids are able to form words to communicate, we pay attention to how they are looking and taking in the world.  maxine greene, in her infinite wisdom, reminds us, "before we enter into the life of language, before we thematize and know, we have already begun to organize our lived experience perceptually and imaginatively."  i love this quote because it not only evokes freireian notions of reading the world before we read (or write) the word, but the significance of imagination is anchored to the origins of our being.  with elementary school ends the physical markers of school's acceptance of that embodied sort of imagination implied by greene: the rug to stretch out on; the author's chair to take on the mantle of author with an audience to share your stories with; recess, whether on the tarred surface or greener environs, that was a time to travel to distant lands, times, and assume absurd roles; picture books! enough said.  some middle and high schools provide access to these aesthetic spaces in the form of extracurricular activities (literary magazine, newspaper, yearbook, band, orchestra, theater, etc.).  but what about the schools that do not have the resources to provide these outlets?  and, perhaps more urgently, why is the aesthetic essence of writing and literacies not vital to the composing that is taught and expected "in school"? 


when i write now, as an adult, i am forever stimulated aurally (a set of goto music mixes), visually (why wifi is so important while writing), physically (hence, my persistent search for the perfect cafe context in which to compose, and the requisite eats and drinks to accompany this orchestration of words, ideas, and meanings); yet we establish stifling conditions in which kids, youth, adolescents must create their compositions.  if we really value their words - and in large part, i believe we (teachers, researchers, adults of all kinds) do - then could we find ways to create spaces that cultivate the imaginations that children bring with them to elementary schools and throughout their schooling lives?


amidst ongoing dialogue about digital literacies and online spaces it can be easy to forget the physical.  sometimes, that trunk of old dress up clothes and wigs has just the thing to dislodge our blocks and get us writing once again.

11.26.2009

plurality of pedagogical postures

just as we have come to understand the plurality of literacies, i've begun to appreciate the nuanced and multiple nature of teachings and learnings.  in the beginning pages of teaching as a performing art, seymour sarason likens the practice of teaching to the experiences of dramatic performance.  he cites the incessant, no matter how miniscule, stage fright he feels when he enters 'the classroom' and the consequences of losing one's audience... i wonder if these principles hold true across pedagogical philosophies.  david hansen, in the call to teach, describes the pedagogical identity of one of the teachers he profiles in this way,
"[Mr. James] conducts himself as a moral agent--as a person, that is, who can have a positive influence on students--and as a moral educator--a person whose pedagogical obligation is to steer students toward the Good." (p. 68)
do we assume the same pedagogical posture, i wonder, across the multiple settings in which we teach and are taught?  and how might we retain our moral purpose - not to be confused with the rhetoric of morality and moral education that seeks to privilege certain values over others and is manifested in the guise of 'character education' or some 'civic education' curricula - to be, as hansen describes, a "moral educator" and engage in education with others?  (i, too, wonder about the Good - whose Good? how determined? and does the meaning of Good shift?...) if, like herve varenne and colleagues (see tc record, volume 109, july 2007) we recognize that "Education is fundamental to sociability and is ubiquitous in the everyday life of all human beings" (p. 1561), then how do we attend to the many moments of education in which we engage in daily and deliberately?  and how do teaching and education come together?  and how might we decouple learning from education?  education from schooling?  so that the practice of education is not reduced to discrete and simple transactions of information as freire feared when he argued against a "banking model of education?"

these questions, about our multiple pedagogical postures, swirl in my head as i think about the role of play in my own pedagogy.  there is an implicit disdain with which play is regarded outside of the elementary school classroom... laughter and humor, in measured amounts, are respectable, but the introduction of silliness, the absurd, or something too carnivalesque or "extravagant" (see boon - Verging on extra-Vagance) garners great skepticism.

lately i have felt beleaguered by a sense that my educational practice, in which i assume and inhabit the performances of a teacher as informed by the formal parameters of particular settings, has become hostage to my own hesitations about my moral purpose.  education is a site of possibility as well as conflict, and often both.  yet conflict resonates loudly, leaves residue on our psyches, and, if not effectively engaged, can be a poorly placed anchor in swift tides.  in the past, i've assumed/embraced/embodied a pedagogy of play, and implicit in such a way of being is a stance of with.  that is, a collaborative spirit with which to conceive of, understand, and take on an endeavor.  that stance, and its connected ways of knowing, has been challenged in interesting ways in recent months, leading me to more fully understand the role of community in how we come to know, and how we come to educate and be educated.  community in the form of kindred spirits, hearty debaters, and longtime allies, all of whom share in the spirit of education and inquiry that is both purposeful and also unpredictable; where interactions, however brief, are not merely sound bytes, but meaningful spaces of intellectual work and making known; and where intentionality is implicitly understood, and not critiqued within an inch of its life.  community is both conflict and possibility, inquiry and knowing; a kind of home we create to sustain our sense of self, of belonging, of purpose.

...

11.13.2009

pedagogy that is culturally relevant

how do we move towards knowing in our everyday pedagogies?  what spaces to we find where we can play, free from institutional constraints?  in whose eyes do we see possibilities and to whose do we relegate despair?  how do maintain our sense of pedagogical pleasure(s) amidst perceived institutional constraints?  what might it mean to commune as teachers who are students of our students?  to spend time with youth outside the constraints of institutional labels, expectations, assumptions; and to descriptively observe their literacies in action? what are the ways in which we relate to one another?  how do we decide to look up or turn away?  when do we extend a hand or hasten our pace? to whom do we accord great variation in the performance of multiple selves? and from whom do we expect staid and limited representations of self? with whose purposes do embark on the journey of education? how, amidst the unsettling and unsettled, do we create a sense of home, of belonging together? and allow space for multiple, even disparate forms of belonging within a common site/moment/act of education?

11.03.2009

new book about harlem, youth, and multimodal literacy


Harlem on our minds: Place, race, and the literacies of urban youth
by Valerie Kinloch
Teachers College Press, 2009

Discourses of youth, gentrification, place, space, and literacies converge beautifully in this volume, collaboratively constructed by Valerie Kinloch and youth researchers, who explored changes going on in Harlem through a variety of modes, discursive interactions, and ongoing inquiry.

Definitely explore and purchase for your own reading, or to read with youth, undergraduate and graduate students interested the complicated intersections of identity, place, power, and narrative discussed in this book.


From the publisher:
In her new book, Valerie Kinloch investigates how the lives and literacies of youth in New York City’s historic Harlem are affected by public attempts to gentrify the community. Kinloch draws connections between race, place, and students’ literate identity through collaborative interviews between youth, teachers, longtime black residents, and their new white neighbors. Harlem on Our Minds is a participatory action narrative that makes emerging theories of social ecology real for the high-school English classroom. Vividly drawn lessons show how teachers can engage urban youth in school-based literacy, by linking canonical text, particularly of the Harlem renaissance, to current events. Centered on the literacy stories of two African American youth and their peers, this book for our times:
  • Showcases the multimodal literacy practices of urban youth through photos, writing samples, student-designed research projects, and more.
  • Weaves in multiple voices and perspectives through response pieces by project participants, local teachers, graduate students, and a community activist.
  • Features teaching strategies and reflection points in each chapter.

10.21.2009

new book on comparative education


if you're interested in international perspectives on educational policy and practice, then this is the book for you:

Critical Approaches to Comparative Education: Vertical Case Studies from Africa, Europe, the Middle East, and the Americas
Edited by: Frances Vavrus and Lesley Bartlett

Description:
This book unites a dynamic group of scholars who examine linkages among local, national, and international levels of educational policy and practice. Utilizing multi-sited, ethnographic approaches, the essays explore vertical interactions across diverse levels of policy and practice while prompting horizontal comparisons across twelve sites in Africa, Europe, the Middle East, and the Americas. The vertical case studies focus on a range of topics, including participatory development, the politics of culture and language, neoliberal educational reforms, and education in post-conflict settings. Editors Vavrus and Bartlett contribute to comparative theory and practice by demonstrating the advantages of ‘thinking vertically.’

Table of Contents:
PART I: APPROPRIATING EDUCATIONAL POLICIES AND PROGRAMS * Localizing No Child Left Behind:  Supplemental Educational Services (SES) in New York City * The Décalage and Bricolage of Higher Education Policymaking in an Inter/national System:  The Unintended Consequences of Participation in the 1992 Senegalese CNES Reform * AIDS and Edutainment:  Inter/National Health Education in Tanzanian Secondary Schools * PART II: EXPLORING PARTICIPATION IN INTER/NATIONAL DEVELOPMENT DISCOURSE * Questioning Participation:  Exploring Discourses and Practices of Community Participation in Education Reform in Tanzania * Living Participation: Considering the Promise and Politics of Participatory Educational Reforms in Brazil * Transformative Teaching in Restrictive Times: Engaging Teacher Participation in Small School Reform during an Era of Standardization * PART III: EXAMINING THE POLITICAL ECONOMY OF DIVERSITY * “Migration Nation”: Intercultural Education and Anti-Racism as Symbolic Violence in Celtic Tiger Ireland * “Don’t You Want Your Child to Be Better than You?”:  Enacting Ideologies and Contesting Intercultural Policy in Peru * Citizenship and Belonging in an Age of Insecurity:  Pakistani Immigrant Youth in New York City * PART IV: MANAGING CONFLICT THROUGH INTER/NATIONAL DEVELOPMENT EDUCATION * The Relief-Development Transition:  Sustainability and Educational Support in Post-Conflict Settings * Perpetuated Suffering:  Social Injustice in Liberian Teachers’ Lives * Positioning Arabic in Schools:  Language Policy, National Identity, and Development in Contemporary Lebanon

10.02.2009

rethinking classrooms by listening - new tc press book


Check out this new book by Katherine Schultz!
(also author of Listening: A Framework for Teaching Across Differences and co-editor of School's Out!: Bridging out-of-school literacy with classroom practices)


Rethinking Classroom Participation: Listening to Silent Voices



about the book:

Many educators understand how to gauge learning by paying close attention to student talk. Few know how to interpret and attend to student silence as a form of participation. In her new book, Katherine Schultz examines the complex role student silence can play in teaching and learning. Urging teachers to listen to student silence in new ways, this book offers real-life examples and proven strategies for “rethinking classroom participation” to include all students—those eager to raise their hands to speak and those who may pause or answer in different ways.

Available October, 2009 from Teachers College Press

9.26.2009

new ela & math standards released

i've progressed in my thinking about standards. i understand them differently from when i was early in my path of teaching and learning, when i viewed them as oppressive and as symbolic vehicular boots that stifled educators creative inclinations.  (i now realize that the obsession to test children - and by proxy their teachers - to within an inch of their life is the real villain, perpetrated by willing accomplices in grey and navy suits and answering to the various titles to which they have been elected or appointed...)

so when the new standards for english language arts (ela) and mathematics were announced this week, i brought a renewed eye to reading them, thanks to my time spent observing and spending time in classrooms and ongoing conversations with current teachers whose efforts to provide myriad educational opportunities for the eager bodies that file into their classrooms every day are not necessarily diminished, and are sometimes even bolstered, by a fuller understanding of the national standards.  so as i read these standards anew, i began to imagine what "meeting" them might mean from a pedagogical standpoint. for me, the ela standards - divided into 'reading,' 'writing,' and 'speaking & listening' (regardless of ample, ample, oodles of research that understands them to work in concert) - evoked images of what it would look like for a kid to have achieved each bullet-pointed goal.  for example, in reading:
  • Support or challenge assertions about the text by citing evidence in the text explicitly and accurately.
and the questions began: what types of texts? citing in what format? who determines what is explicit and accurate? (that last question pertains to some of obtuse 'texts' i've encountered lately, which are neither explicit nor accurate in their 'reading' of others' texts...)
but these questions are the natural byproduct of a mind set to 'hyper' on the inquiry cycle, which, i agree, can become paralyzing when someone 'just wants to go and teach.' but without these questions, and the next few that i'll raise below, how do we ease ourselves out of the jaws of complacency.  questions need not be paralyzing. in fact, i have found them liberating. questioning what we mean by text can suggest a new range of compositions - film shorts, photo essays, anime, family photo albums - to consider inside the classroom. these new texts, sometimes foreign to the routines of classroom and school life, might open up the boundaries that too often (aim to, but can never really) separate children's in-school and out-of-school lives.  questions about text, indeed a critical stance on texts, can suggest new teaching and learning relationships as the children who suggest new texts can be engaged as the experts on their texts.  i could learn some things about manga, but to hear a true expert eagerly describe narrative nuances that would have certainly escaped me for the first 50 or 60 readings is where educative possibility really lies. 
hence, the new questions - question, really.  just one, as i worked my way down the standards for reading, writing, and speaking & listening.  and then made my way through the mathematical standards.  my hypercurious mind wants to know where the 'we'/'with' standards are.  that is, while all of the existing 'todos' implicate what a student must be able to do, and consequently what the teacher must make sure the student can do, there aren't any standards that talk about what kind of community teachers and students might co-create in which to engage in education together.  so i want to know: "Where are the standards of 'with'?"

yes, this is a false question in way, b/c i would truly cringe if there were classroom community standards.  (shudder, literally, to think about this...)  but when the good people at the "National Governors Association Center for Best Practices (NGA Center) and the Council of Chief State School Officers (CCSSO) in partnership with Achieve, ACT and the College Board" came together establish standards that are "research and evidence-based, internationally benchmarked, aligned with college and work expectations and include rigorous content and skills," i just want to know what kinds of conversations went on about what spaces would be generative of the kinds of teaching and learning that might lead to national proficiency across the "core standards" laid out this week?  and if there was any talk, even whispers, about resources, class size, unholy testing schedules, and time to build community, might i ask - nay, plead - for the revered insiders to leak these conversations to the press? or someone who might listen, especially when the left hand is ready to act based on the findings of the right hand...

feedback on the standards is welcome until october 21st. after reading the standards, click on the link that says "Submit Feedback >>" along the left-hand menu.

...

9.11.2009

challenging homophobia in schools - new text from tc press

Coming in november, 2009: Acting Out! Combating Homophobia Through Teacher Activism
by: Mollie V. Blackburn, Caroline T. Clark, Lauren M. Kenney, and Jill M. Smith
Foreword by JoBeth Allen
Part of the Practitioner Inquiry Series
 
Book Description: In this volume, teachers from urban, suburban, and rural districts join together in a teacher inquiry group to challenge homophobia and heterosexism in schools and classrooms. To create safe learning environments for all students they address key topics, including seizing teachable moments, organizing faculty, deciding whether to come out in the classroom, using LGBTQ-inclusive texts, running a Gay-Straight Alliance, changing district policy to protect LGBTQ teachers and students, dealing with resistant students, and preparing preservice teachers to do antihomophobia work.

Book Features:
  • Examples of antihomophobia teaching across elementary, secondary, and university contexts, and discussions of the consequences of this work.
  • Concrete discussions of how to start a teacher inquiry group, and the challenges and rewards of engaging in teacher activism.
  • A comprehensive annotated bibliography of texts that address homophobia and heterosexism.

9.07.2009

pres. obama's speech to kids - full text

the white house released president obama's prepared remarks that he will deliver to schoolchildren on tuesday.

at first blush, this is very much on the order of obama's campaign speeches or more recent statements about education, in which he urges a collective sense of individual responsibility, and strives to ignite fires of innovation in his listeners. but there are some important distinctions that stand out, like the reference to specific pop culture artifacts and texts, perhaps to resonate with his intended audience:
e.g., "I’ve talked about your parents’ responsibility for making sure you stay on track, and get your homework done, and don’t spend every waking hour in front of the TV or with that Xbox."
and
"Maybe you could be an innovator or an inventor – maybe even good enough to come up with the next iPhone or a new medicine or vaccine – but you might not know it until you do a project for your science class."

and he weaves his own narrative through this address, not to deliver an unexamined "bootstraps" message, but rather to illuminate the ways in which his individual determination and educational success was mediated and informed by the communities through which he traversed. the personal narrative is a tale of many cities...

i hope teachers and families not only share this speech with school-age children in their charge, but they engage with it critically. perhaps they'll wordle it, like @librarybeth has done here. or maybe they'll hold a debate to argue against or for some of the subtler points embedded throughout. i hope we engage with that which we find unfamiliar, if for no other reason than to be able to identify what it is that bothers us. but perhaps in that journey, we find things that we can agree on and we move forward. together.

...

9.06.2009

making sense of public reaction to (the not yet aired) president obama's speech to kids about education

neal mccluskey, of the cato institute, explains what some parents find objectionable about the speech president obama is scheduled to deliver this coming week. the focus of the proposed address: the importance of education and staying in school. mccluskey notes that some parents are worried that this speech will espouse 'socialist' ideas, and more specifically that the curriculum guides provided by the dept. of education - intended to scaffold discussion following the president's speech - may encourage "national service and things like that..." when asked whether, if the speech turns out to be on the order of a 'pep talk,' mccluskey may soften his view toward the speech, mccluskey responds by posing the question: 'do parents have legitmate concerns that their kids will be exposed to?'



now, i've tried - against my initial reaction of disbelief - to understand the concern and grassroots-like antagonism that has spread and is being reported across news outlets in response to this scheduled speech. but i keep returning to a gnawing feeling that what may really be at the heart of this response - beyond the knee-jerk and politically motivated reactions - has to do with the meaning and purpose of education. this is not new nor earth-shattering, but brings to the surface the disdain towards an approach to schooling (and perhaps education, more broadly) that transcends the scripted teaching and learning opportunities that many adults are familiar with from their schooling experiences. the invitation that will purportedly be extended to children to consider their own role in their education - as connected to the wider global realities of employment demands of jobs that don't yet exist and innovations yet to be imagined - does not strike me as quite the tinderbox some folks are making it out to be.

still, mccluskey's response - primarily aimed at the curriculum guides - seems less obtuse in light of the conservative pundits and elected officials featured in the following clip:



and then there's the clip that includes this curious quote:
"obama shouldn't force anybody to make decisions...for themselves. that's the right of the individual."



some argue that this is about parents' rights to protect their children and to know about what children will be exposed to in school. but is that what this 'controversy' is really about?

...

5.17.2008

school 2.0?


colin and michele are giving their keynote at the learning 2.0 conference, being held today at montclair and co-org'd by dana & michele. their talk is focused on the "twoness" of "learn 2.0" and they've begun with a review of the leap from web 1.0 to web 2.0 - highlighting the participatory nature of this shift, and raising the issue (esp with relevance to sites built of collective knowledge like wikipedia, etc.) of truth... and later, credit (as in, whose idea is it?)... and the significance of

so the issue of school 2.0 - as it connects with learn 2.0 - comes up. michele is talking now and wondering about how our teaching practices must change in a web 2.0 world. namely, how do create spaces for collaboration - true collaboration? and not the kind found in lit circles where someone is the artist, the recorder, the this that and the other thing...

relatedly, i wonder: what is the relationship between learn 2.0 and school 2.0?? which is funny b/c i've thought more about the institution of school in the past 24 hours than i have all semester. hmmm....

for example, they teach a course in which students, in teams, have to engage in the following:
- learn how to program a robot
- document the group's learning in this experience (using video, audio, print)
- analyze the data they have produced and collected
- prepare a scholarly paper/presentation
- present said paper/presentation at a full-on conference
all within the space of a few weeks, one of which they are sequestered at a lodge.

they, of course, explained this project much more eloquently - i'm especially excited about the teasing out of the ideas of collaboration, collective knowledge, truth... and what these ideas look like when they are actually embodied in daily practice.

"it doesn't matter if one person wrote it, or if ten people write it - the result is the same in terms of human benefit." --c. lankshear

re: the above project - participants learn to be researchers by being researchers, not students learning about research. the doing, being, embodying of learn(ing) 2.0 - not a pipe dream; a reality we can't/shouldn't ignore.

4.20.2008

HER special issue: Adolescent Literacy

check out the latest issue of harvard ed review that focuses on adolescent literacy. table of contents below.

Spring 2008

Introduction :
Why Adolescent Literacy Matters Now

Jacy Ippolito, Jennifer L. Steele, and Jennifer F. Samson

Adolescent Literacy :
Putting the Crisis in Context

Vicki A. Jacobs

Teaching Disciplinary Literacy to Adolescents :
Rethinking Content-Area Literacy

Timothy Shanahan and Cynthia Shanahan

Redefining Content-Area Literacy Teacher Education :
Finding My Voice through Collaboration

Roni Jo Draper

Cognitive Strategy Instruction for Adolescents :
What We Know about the Promise, What We Don’t Know about the Potential

Mark W. Conley

The Complex World of Adolescent Literacy :
Myths, Motivations, and Mysteries

Elizabeth Birr Moje, Melanie Overby, Nicole Tysvaer, and Karen Morris

Toward a More Anatomically Complete Model of Literacy Instruction :
A Focus on African American Male Adolescents and Texts

Alfred W. Tatum

Implementing a Structured Reading Program in an Afterschool Setting :
Problems and Potential Solutions

Ardice Hartry, Robert Fitzgerald, and Kristie Porter

State Literacy Plans :
Incorporating Adolescent Literacy

Catherine Snow, Twakia Martin, and Ilene Berman

Beyond Writing Next :
A Discussion of Writing Research and Instructional Uncertainty

David Coker and William E. Lewis